Saturday, 21 June 2014

Basilonian Apocalypse - The Curtain of Cranes

"...I remember the fatigue. I remember thinking, 'there has got to be something we are overlooking here', but at the same time being too tired to care or bring it up. I don't think I even had the energy to properly articulate and convey my concerns and sentiments.

Looking back on it now, I don't think anybody had the energy to listen or change course either.

So we waited. Too tired to stay... awake, too worried to fall asleep. An hour passed, a whole hour before we decided on something along the lines of 'fuck it, let's get this finished and pass out or something.' Kinda funny how easily affected by emotions we were back then. With immediate fatigue clouding our minds, we decided to risk the two months of planning, preparing in secret - do you know how hard it is for high school boys to keep something they're actively working on as a secret for two months? Anyway, we were risking all that, just because we were 'tired'. Kinda silly.

Or was it brave and decisive. Time hazes my memory. I think we knew that it might get rainy for a while after that day; plus, we wanted to see the full effect of our actions while we would still be around. So we decided. We decided to act, and let the chips fall where they may.

We departed a good hour before daybreak. A whole hour of waiting, then a whole hour until daybreak. We'd be making finishing touches in the dark. The drive was silent, our 60 days of labour packed carefully in flimsy plastic containers in the boot/trunk. The drive was bumpy smooth. The drive is the part I remember least.


We set to work as soon as we arrived. Little was said between us. The fatigue set in like morning dew: sweet, heavy, wet, omnipresent. We kept busy at our tasks under the grey sky - the dawn kept busy at its. It didn't take long. The work was finished without ceremony, and we just... sat there.

I thought for sure I'd just collapse into sleep after it was done, but I stayed awake. Reasons? Plenty. I wanted to see the reactions to what we've done. I didn't want anybody destroying what we've displayed. One thing I didn't expect was how I'd be so captivated by the dawn light catching the familiar landscape and skyline. One thing or another kept me awake.

As we were emptying our minds and becoming vessels of sublime truth (...or spacing out), people arrived. Astonished. Shocked? Confused. Amazed, maybe. We didn't factor in how tired we'd be by then. Too tired to read emotions, acknowledge, care or respond.

We had achieved something, but the final journey had become such a process that we were no longer connected.

The means devastated the ends."



Epi.
The project, consisting of 1,000 paper cranes folded from 10cm by 10cm squares of coloured paper of various pastel tones, sewn together in columns to form a cascading rainbow curtain, was taken down in less than an hour since the initial discovery by the first witness. The reason for the dismantling was due to risk of destruction of the project, as reasoned by staff. It was reconstructed as a single line of paper cranes arranged in cascading colours, then hung up in the bell tower on site for safekeeping.

Legend has it that folding 1,000 paper cranes grant the folder a wish. It was later revealed that all three participants (all of whom who participated in the folding of the cranes) of the project wished the same wish: that their work would not be immediately destroyed.





So... this is an actual thing that happened. The whole monologue and epilogue were written to be dramatic, but the experience is bona fide. I folded 1,000 paper cranes with two of my friends back in high school, as a sort of really weird senior year prank. It's weird, we didn't know who we were supposed to be pranking in what way, especially since we weren't really inconveniencing anybody. I guess we just wanted to be remembered.

This was lifted almost directly from my Facebook post I made about 12 hours ago. I removed the tagline (with a bunch of tags) and two words ('Sorry, Z.'). The two words were in reference to my friend, Z, who drove that day. Sorry I don't remember much of the drive, I was a bit too tired I think.

Basilonian Apocalypse is just something I refer to on my Facebook sometimes, usually by adding "Excerpt from Basilonian Apocalypse" at the end. It's an autobiography, which hasn't been published or even written up (and probably will never be?).

Tuesday, 3 June 2014

Regression

I have a confession to make: I've been straying from high power vocabulary, towards shorter and simpler words. As a result, I won't be able to flex my lexicon in writing new posts. Fortunately, this hasn't affected what little writing skills I've had, but I am a little ashamed that I let myself lose something that I had a modicum of pride in.

This is from a combination of a variety of situations, I think.

One, my exposure to "strong" English has diminished drastically. Ever since I graduated, the time I spend around people who primarily speak English has decreased by a lot. Language is like flexibility in this way; repeated exposure and strain can keep it strong and growing. So, the shift in my language environment has created a situation that enabled the aforementioned result.

Two, my exposure to simple English has increased drastically. The... lifestyle I lead these days is an odd one. The main source of my entertainment, the media that I tune into most frequently is YouTube, specifically Lets Play from Achievement Hunter. (I don't watch Rooster Teeth, just Lets Play.) They're entertaining to watch, and with few friends to veg and game with, along with less time to actually sit down and play games, it's been a great substitute. I enjoy watching them a lot, but most of the humour isn't from high level English. In other words, regardless of enjoyment, it has contributed towards my waning of English vocabulary strength.

Three, I teach high school Biology and Chemistry these days. I'm not saying high school students have worse English - if anything, their English should be growing drastically. However, I teach Bio and Chem to Korean (by ethnicity) international school students in Korea, and with my aim being maximum understanding for the students, I frequently mix Korean into my lessons. On top of that, complicated English isn't exactly a prerequisite or fundamental component in conveying scientific concepts. Even in academia or scientific papers, the English isn't aimed to be elegant or significant in the literary sense.

Bottom line of this post is, with these (and perhaps other that I'm unable to recall at this given moment) conditions combined, they have brought about a regression in my English. Writing here helps, which is why I hope to return to writing and show some more perseverance and tenacity this time. Still, it felt necessary to give some sort of warning that my written English style may have changed.

That is all for now. I should be back here fairly soon though.

Sunday, 9 February 2014

Recipe

Triticum aestivum.
Harvesting process terminates life.
Dead organic matter is then pulverised and desiccated.
Occasionally, bleaching is added to the process.
Gather prepared material.

Material is swamped through addition of water.
Viscous mixture is created from remains of the original organism.
Crystals of halite is added depending on preference of creator.

Small souls, added to mixture.
Viscous mixture creates conditions where breathing is difficult.
Suffocation through drowning is achieved.
Last breaths trapped in mixture.
Mixture, including last breaths, is heated intensely.
This destroys the remains of the dead.

Overall mixture may become overly oxidised in intense heat and organic molecules may fuse with heating machinery.
To facilitate removal of final product, essences and extracts employed to serve as additional layer between mixture and machine.

Helianthus annuus.
Extract is often utilised for above purpose.
Prepare extract by harvesting Helianthus annuus.
Crush Helianthus annuus remains to annul organic cell structure and release essence.
Chemical solvents occassionally employed to increase efficiency, but are generally viewed as...
Unwholesome.

Final product from dead organic material with entrapped dying gasps is often enjoyed with condensed mammary gland secretions from Bos primigenius or reproductive organs of angiosperms, minced and boiled in high concentration sugar solutions. Non-condensed mammary gland secretion from Bos primigenius is often co-consumed.